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<channel>
	<title>Joshua Duttweiler</title>
	<link>https://joshuaduttweiler.com</link>
	<description>Joshua Duttweiler</description>
	<pubDate>Wed, 27 Dec 2023 23:40:43 +0000</pubDate>
	<generator>https://joshuaduttweiler.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Liminal Space</title>
				
		<link>https://joshuaduttweiler.com/Liminal-Space</link>

		<pubDate>Wed, 15 Mar 2023 16:49:10 +0000</pubDate>

		<dc:creator>Joshua Duttweiler</dc:creator>

		<guid isPermaLink="true">https://joshuaduttweiler.com/Liminal-Space</guid>

		<description>Artivive Workshop - TXSTMarch 2023








Liminality:
A state of transition between one stage and the next, an in-between period, typically indicated by disorientation or uncertainty.

</description>
		
	</item>
		
		
	<item>
		<title>Workshop</title>
				
		<link>https://joshuaduttweiler.com/Workshop</link>

		<pubDate>Wed, 15 Mar 2023 16:53:29 +0000</pubDate>

		<dc:creator>Joshua Duttweiler</dc:creator>

		<guid isPermaLink="true">https://joshuaduttweiler.com/Workshop</guid>

		<description>OBJECTIVES:Define liminality in relation to Augmented Reality.What is a liminal space? Examples? How might the concept of liminal space connect to the concept of AR?Understand and explore the Artivive&#38;nbsp;tool.Research and design a project that explores liminal space.How might the knowledge of liminal spaces inspire and engage designers to solve real world problems?

SCHEDULE:
IntroductionLiminality DiscussionDemo Download
ProjectPROJECT: In-between PlacesIn this brief assignment we will experiment with liminality and augmented reality.

Process:
Register for a free Artivive account.Download the Artive app on your mobile device.Select a liminal space. Be ready to explain what you select and why.Brainstorm and source three (3) visual media or elements that help visualize your liminal space in Augmented Reality.&#38;nbsp;At least one piece of media should include motion (video, animation, GIF, etc). For ease of upload use video files 2-3 minutes in length and image file size should be no more than 5MB.Assemble the layers into a new project in Artivive Bridge. Make sure that your source image is easily recognizable. Consider the use of Artivive features including audio, transpariences, and 3D space.Test on your mobile device. Make necessary changes.Share with classmates and recieve feedback.

RESOURCES:
Youtube to MP4 Converter&#38;nbsp;https://ytmp3.plus/157-youtube-to-mp4/
Artivive&#38;nbsp;https://artivive.com/
Liminality Wiki&#38;nbsp;https://en.wikipedia.org/wiki/Liminality
Liminal Design Paper&#38;nbsp;https://www.frontiersin.org/articles/10.3389/fpsyg.2023.1043170/full</description>
		
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		<title>Home</title>
				
		<link>https://joshuaduttweiler.com/Home</link>

		<pubDate>Fri, 02 Oct 2020 02:10:23 +0000</pubDate>

		<dc:creator>Joshua Duttweiler</dc:creator>

		<guid isPermaLink="true">https://joshuaduttweiler.com/Home</guid>

		<description></description>
		
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	<item>
		<title>About</title>
				
		<link>https://joshuaduttweiler.com/About</link>

		<pubDate>Fri, 02 Oct 2020 02:10:55 +0000</pubDate>

		<dc:creator>Joshua Duttweiler</dc:creator>

		<guid isPermaLink="true">https://joshuaduttweiler.com/About</guid>

		<description>
	Joshua Duttweiler is a designer, artist, and educator whose multi-disciplinary practice spans personal, collaborative, and client-based projects. His work is deeply rooted in social justice and community building; critically exploring recorded histories and constructed societal systems to amplify new voices. Joshua regularly exhibits his work both nationally and internationally.
Together with frequent collaborator Alexandria Canchola, Joshua has conducted extensive archival research on Chicano independent publications. They developed the En El Frente framework to disseminate their findings through conference presentations, journal articles, and a traveling exhibition.

Joshua and Alexandria also co-organize Riso-Rama, an annual symposium dedicated to learning from the risograph community of artists and makers. 
Additionally, Joshua co-organizes Radius Collective, a group of multi-disciplinary artists and designers who come together each year to produce a conceptually driven exhibition.

Joshua holds a BFA in Applied Design and Visual Communication from Houghton University and an MFA in Graphic Design from Boston University. He currently resides in Texas where he is an Assistant Professor of Communication Design at Texas State University. As an educator, he seeks to empower his students to creatively change the world for better.

	



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	</item>
		
		
	<item>
		<title>Archive</title>
				
		<link>https://joshuaduttweiler.com/Archive</link>

		<pubDate>Fri, 23 Oct 2020 20:48:03 +0000</pubDate>

		<dc:creator>Joshua Duttweiler</dc:creator>

		<guid isPermaLink="true">https://joshuaduttweiler.com/Archive</guid>

		<description>ARCHIVE


	&#60;img width="5313" height="3542" width_o="5313" height_o="3542" data-src="https://freight.cargo.site/t/original/i/8fd68e80e0cff994364e1e918bbe40986c264cd6fe72bd76f5e560e4a496c06d/IMG_7060.jpg" data-mid="240610614" border="0"  src="https://freight.cargo.site/w/1000/i/8fd68e80e0cff994364e1e918bbe40986c264cd6fe72bd76f5e560e4a496c06d/IMG_7060.jpg" /&#62;
Utopia Sounds Like a Good Idea
	&#60;img width="6018" height="4012" width_o="6018" height_o="4012" data-src="https://freight.cargo.site/t/original/i/45986cd96612d54dc40050f9bf5d14038d078525f2eb30e8fb8fb4c8d22e65ba/03.jpg" data-mid="240610618" border="0"  src="https://freight.cargo.site/w/1000/i/45986cd96612d54dc40050f9bf5d14038d078525f2eb30e8fb8fb4c8d22e65ba/03.jpg" /&#62;
what are you taking/qué estás dando

	&#60;img width="2000" height="1332" width_o="2000" height_o="1332" data-src="https://freight.cargo.site/t/original/i/5f4886aa203c8b6f66a707835da30be1cb3cc6fc218664d34cafcc634ab67bbb/Exhibition-banner.jpg" data-mid="200227193" border="0"  src="https://freight.cargo.site/w/1000/i/5f4886aa203c8b6f66a707835da30be1cb3cc6fc218664d34cafcc634ab67bbb/Exhibition-banner.jpg" /&#62;En El Frente Exhibition
	&#60;img width="2734" height="1821" width_o="2734" height_o="1821" data-src="https://freight.cargo.site/t/original/i/801b3bd85bfced71db7d4d98f359584463b9dcb773b41cf1e3bbc27345b60fc5/colonia-banner.jpg" data-mid="249844188" border="0"  src="https://freight.cargo.site/w/1000/i/801b3bd85bfced71db7d4d98f359584463b9dcb773b41cf1e3bbc27345b60fc5/colonia-banner.jpg" /&#62;
Colonia


	&#60;img width="1267" height="844" width_o="1267" height_o="844" data-src="https://freight.cargo.site/t/original/i/8419836ab2bc5df81702cde4f3859613fe538313da8e1d741440ee488f8b3d87/Uptick_Duttweiler-banner-copy.jpg" data-mid="200226470" border="0"  src="https://freight.cargo.site/w/1000/i/8419836ab2bc5df81702cde4f3859613fe538313da8e1d741440ee488f8b3d87/Uptick_Duttweiler-banner-copy.jpg" /&#62;
Uptick


	&#60;img width="2000" height="1332" width_o="2000" height_o="1332" data-src="https://freight.cargo.site/t/original/i/5441c54e0978f71561a95fc93b215eaa8e90b465ccd314332106008e76ce4ea6/ConcreteDuttweiler.jpg" data-mid="200227228" border="0"  src="https://freight.cargo.site/w/1000/i/5441c54e0978f71561a95fc93b215eaa8e90b465ccd314332106008e76ce4ea6/ConcreteDuttweiler.jpg" /&#62;CONCRETE


	&#60;img width="1000" height="666" width_o="1000" height_o="666" data-src="https://freight.cargo.site/t/original/i/99b7a6874d7baf4e7e85744c10547aee1a4ff887fc0c38753e0bfef7f98cd863/houghton_banner.jpg" data-mid="249845042" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/99b7a6874d7baf4e7e85744c10547aee1a4ff887fc0c38753e0bfef7f98cd863/houghton_banner.jpg" /&#62;
We Are All Houghton

	
&#60;img width="2083" height="1388" width_o="2083" height_o="1388" data-src="https://freight.cargo.site/t/original/i/9407a66f31c889a593fed04b361fb03183a3ef8bd10b063868243c09e4ca53bb/visualessay-banner-copy.jpg" data-mid="249845057" border="0"  src="https://freight.cargo.site/w/1000/i/9407a66f31c889a593fed04b361fb03183a3ef8bd10b063868243c09e4ca53bb/visualessay-banner-copy.jpg" /&#62;En El Frente, Volume 1

	&#60;img width="2000" height="1332" width_o="2000" height_o="1332" data-src="https://freight.cargo.site/t/original/i/cbca73ae45ec303d9cb39dcd02e8331333d6c1492ea36663fb248e04b4243281/IMG_7234-banner.jpg" data-mid="200226842" border="0"  src="https://freight.cargo.site/w/1000/i/cbca73ae45ec303d9cb39dcd02e8331333d6c1492ea36663fb248e04b4243281/IMG_7234-banner.jpg" /&#62;Underline Exhibition
	&#60;img width="2000" height="1332" width_o="2000" height_o="1332" data-src="https://freight.cargo.site/t/original/i/45ef7bdc804f4b88c4f2100950faccab62635bcb23165009c76b0490840a177b/Scan-6-bannner.jpg" data-mid="200226486" border="0"  src="https://freight.cargo.site/w/1000/i/45ef7bdc804f4b88c4f2100950faccab62635bcb23165009c76b0490840a177b/Scan-6-bannner.jpg" /&#62;Masthead Zine


	&#60;img width="2827" height="1873" width_o="2827" height_o="1873" data-src="https://freight.cargo.site/t/original/i/e1d4e1292f6771c85f6ad4fbba881ad4ba1a44bc9f768289ba934ba979e147e6/IMG_1885-copy.jpg" data-mid="160452473" border="0"  src="https://freight.cargo.site/w/1000/i/e1d4e1292f6771c85f6ad4fbba881ad4ba1a44bc9f768289ba934ba979e147e6/IMG_1885-copy.jpg" /&#62;
Northside Bingo
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/e0d4e0c0970ddaf8a731b349862684c1d544476f8a75b9eef242d536f04ab00a/IMG_0517-Edit-copy.jpg" data-mid="134762792" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e0d4e0c0970ddaf8a731b349862684c1d544476f8a75b9eef242d536f04ab00a/IMG_0517-Edit-copy.jpg" /&#62;

This city will be underwater in 2050

	&#60;img width="3335" height="2218" width_o="3335" height_o="2218" data-src="https://freight.cargo.site/t/original/i/b1c18baa9d8ec90f0237eb62e44f5a9d3ac615127cd23385eea7ae53445d1f32/Align_duttweiler-display-copy-2.jpg" data-mid="160452374" border="0"  src="https://freight.cargo.site/w/1000/i/b1c18baa9d8ec90f0237eb62e44f5a9d3ac615127cd23385eea7ae53445d1f32/Align_duttweiler-display-copy-2.jpg" /&#62;
Where the earth doesn’t meet the sky




	&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/9f4e9849e556005f7b39dd7548d2523331ae9629cec1bd5b0c32c89701c8d315/IMG_1998.jpg" data-mid="160449533" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/9f4e9849e556005f7b39dd7548d2523331ae9629cec1bd5b0c32c89701c8d315/IMG_1998.jpg" /&#62;
Align Exhibition

	&#60;img width="3017" height="2125" width_o="3017" height_o="2125" data-src="https://freight.cargo.site/t/original/i/154a651c128f4e60d54a052a7538458f81e6fedcee3c093340d3ae9e0a3e2227/IMG_1546-copy.jpg" data-mid="160453988" border="0"  src="https://freight.cargo.site/w/1000/i/154a651c128f4e60d54a052a7538458f81e6fedcee3c093340d3ae9e0a3e2227/IMG_1546-copy.jpg" /&#62;
Push Notification
	&#60;img width="2000" height="1398" width_o="2000" height_o="1398" data-src="https://freight.cargo.site/t/original/i/40addb229135c75dcee661c9ac64b928dc8564d8992ed94382820389ab485f3d/LT_gif-small.gif" data-mid="160453056" border="0"  src="https://freight.cargo.site/w/1000/i/40addb229135c75dcee661c9ac64b928dc8564d8992ed94382820389ab485f3d/LT_gif-small.gif" /&#62;
Lines Through


	&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/f5d6e58340392cd1f6cfff8f8b519065b0caef78bd91a3f38926c1311d96c33d/IMG_7285.jpg" data-mid="118738212" border="0"  src="https://freight.cargo.site/w/1000/i/f5d6e58340392cd1f6cfff8f8b519065b0caef78bd91a3f38926c1311d96c33d/IMG_7285.jpg" /&#62;It’s Not Ok I’m Here
	&#60;img width="2298" height="1724" width_o="2298" height_o="1724" data-src="https://freight.cargo.site/t/original/i/d114e29b4ee22bcd5fcdb7d6640cd2b60ecf33211e3f71d306e4e1326c7b8a4c/IMG_5434-copy.jpg" data-mid="118740704" border="0"  src="https://freight.cargo.site/w/1000/i/d114e29b4ee22bcd5fcdb7d6640cd2b60ecf33211e3f71d306e4e1326c7b8a4c/IMG_5434-copy.jpg" /&#62;ReCollective Exhibition


	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/428096dc89634dd853aa598993ae3de4399485ed8e721a9961b621491d648038/IMG_4288.jpg" data-mid="86507279" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/428096dc89634dd853aa598993ae3de4399485ed8e721a9961b621491d648038/IMG_4288.jpg" /&#62;Lines/Divide Exhibition
	&#60;img width="1998" height="1320" width_o="1998" height_o="1320" data-src="https://freight.cargo.site/t/original/i/503ebc342c817fae35fc8a1daeecee28aab548de66144a069d7a5225987eff04/Reuse_Reprint_2.jpg" data-mid="86509724" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/503ebc342c817fae35fc8a1daeecee28aab548de66144a069d7a5225987eff04/Reuse_Reprint_2.jpg" /&#62;
The Reuse/Reprint Project

	&#60;img width="2500" height="1563" width_o="2500" height_o="1563" data-src="https://freight.cargo.site/t/original/i/55d0fc17e7f4cb13a380093e6b8cd339405d2c70a800a1df9eec26e35037915b/Screen-Shot-2017-08-24-at-5.19.42-PM-copy.png" data-mid="87166607" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/55d0fc17e7f4cb13a380093e6b8cd339405d2c70a800a1df9eec26e35037915b/Screen-Shot-2017-08-24-at-5.19.42-PM-copy.png" /&#62;Words I couldn’t say
	&#60;img width="2288" height="1422" width_o="2288" height_o="1422" data-src="https://freight.cargo.site/t/original/i/25ded23c5d7fdd92d026e84e957ed41b8a1f38d798b4ec04ad0ecbcd259074fd/Screen-Shot-2020-10-30-at-12.10.33-PM.png" data-mid="87166903" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/25ded23c5d7fdd92d026e84e957ed41b8a1f38d798b4ec04ad0ecbcd259074fd/Screen-Shot-2020-10-30-at-12.10.33-PM.png" /&#62;
margins


	&#60;img width="2186" height="1459" width_o="2186" height_o="1459" data-src="https://freight.cargo.site/t/original/i/7c412b1987d8961f8d28310d309987f264f3526ac58dbdad09a24b0442a9a924/Screen-Shot-2021-02-16-at-6.10.44-PM.jpg" data-mid="99130068" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/7c412b1987d8961f8d28310d309987f264f3526ac58dbdad09a24b0442a9a924/Screen-Shot-2021-02-16-at-6.10.44-PM.jpg" /&#62;
#workhardworkhard

	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/2840ab9ee1f6082ea73ab4735d07cd5b06a961999e1deae490f9b83ba1a64511/IMG_9392-Edit.jpg" data-mid="99129088" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2840ab9ee1f6082ea73ab4735d07cd5b06a961999e1deae490f9b83ba1a64511/IMG_9392-Edit.jpg" /&#62;
Grown


	
&#60;img width="5056" height="3371" width_o="5056" height_o="3371" data-src="https://freight.cargo.site/t/original/i/26b61682036005678ae10c1878b0846f823d9d9b7628db029b3d9d80b077c4ff/IMG_7674.jpg" data-mid="160450167" border="0"  src="https://freight.cargo.site/w/1000/i/26b61682036005678ae10c1878b0846f823d9d9b7628db029b3d9d80b077c4ff/IMG_7674.jpg" /&#62;
Everything You Need to Know to Become a Citizen
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/fdc290971c38c517300a2a1814df37900899ae3f00eb64462d5e394acf482a74/IMG_0082.jpg" data-mid="99130401" border="0"  src="https://freight.cargo.site/w/1000/i/fdc290971c38c517300a2a1814df37900899ae3f00eb64462d5e394acf482a74/IMG_0082.jpg" /&#62;
Gentrification Starts Here

</description>
		
	</item>
		
		
	<item>
		<title>Northside Bingo</title>
				
		<link>https://joshuaduttweiler.com/Northside-Bingo</link>

		<pubDate>Sun, 27 Feb 2022 01:42:51 +0000</pubDate>

		<dc:creator>Joshua Duttweiler</dc:creator>

		<guid isPermaLink="true">https://joshuaduttweiler.com/Northside-Bingo</guid>

		<description>Northside BingoInkjet print, silkscreen with thermochromic ink, and interactive installation

2021

Hillcrest and Washington Cole were originally established as white-only neighborhoods in 1927. Located on the Northside of Corpus Christi, Texas, the area remained segregated by red-lining practices by city officials. The practice consisted of preventing community integration as administrators believed that property values in neighborhoods depreciated if people of color lived in them. It wasn’t until 1944 that the city revised its zoning allowing black and latinx residents to own homes in these neighborhoods. As white residents left the Northside, so was the city’s motivation to maintain and protect this once-thriving neighborhood. By 1958, the petrochemical industry was encroaching the area and then with the construction of the I-37 in 1961 the area’s isolation from the rest of the city was formalized. In the coming decades when the Port expanded, it marginalized its residents by their close proximity and oil production facilities expelling pollutants in the air and water.The final nail in the coffin for the Northside: the 2015 announcement of a bigger Harbor Bridge. The design of the new bridge would bring the end to the neighborhoods. The only glimmer of hope was the victory of a class-action lawsuit against the Federal Highway Administration (FHA) and the Texas Department of Transportation (TXDOT) filed by the residents. The court ruling found the departments were, indeed, in violation of the 1964 Civil Rights Act, making clear that the neighborhood had been a subject of systemic racial practices that immorally impacted the residents. Relocation financial packages were offered to residents, a first in the history of the agencies, as a small reconciliation of decades of violence against their rights.Since its inception, the fate of the black and latinx Northside residents was never their own. They were subjects of a rigged system—a game that was already won—of the same government that neglected and deconstructed the neighborhood piece by piece for economical gain. The city of Corpus Christi has consistently set aside the needs of Northside residents, eventually eliminating the place they called “home” altogether.Consider the legacy of systemic racism enacted on your neighbors as you interact with Northside Bingo. Touch the black squares and let the heat of your hands uncover the history of the neighborhood. The record tells us that the only winners were those who would make economic gains from the Northside’s demise. Unfortunately, these residents are not alone. Communities of color in cities are the ones who bear the brunt of infrastructure projects all over the United States. To prevent similar situations in the future, it requires consistent advocacy of all of us, the neighbors of Northside.
</description>
		
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	<item>
		<title>This city will be underwater in 2050</title>
				
		<link>https://joshuaduttweiler.com/This-city-will-be-underwater-in-2050</link>

		<pubDate>Sun, 27 Feb 2022 02:22:34 +0000</pubDate>

		<dc:creator>Joshua Duttweiler</dc:creator>

		<guid isPermaLink="true">https://joshuaduttweiler.com/This-city-will-be-underwater-in-2050</guid>

		<description>This city will be underwater in 2050
Installation, 2022
The water is a facet of identity and facilitates the economy of Corpus Christi for its position on the Texas gulf coast. Yet the water is the biggest threat to its existence. 

As the United States’ fifth largest sea port, Corpus is the gateway for a large amount of our country’s petrochemical supply. There is a deep irony in the fact that the economy of this city is dependent on the intake and refining of these chemicals yet the consumption is contributing to our global climate crisis and the impending demise of the city itself. 
Within the next 30 years, Corpus Christi, like many coastal cities around the world, will experience rising sea levels by four feet. There is yet to be developed a comprehensive plan by the city on how they intend to offset the global crisis and respond to the forthcoming sea level rise.

The economic and tourist hubs of the city, including Downtown and adjacent neighborhoods, are the most vulnerable to destruction by the already rising sea levels. This piece urges awareness of the climate crisis; it challenges viewers and to take action and call on local leaders for economic and environment plans to save the place they call home. 

This city will be underwater in 2050 is installed in Corpus Christi areas that are predicted to be underwater. 

&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/59f6d545a17961e41a12affc56ac29142a43c8b8acee0d928fa70a4bf83222b2/IMG_0517-Edit-copy.jpg" data-mid="134765240" border="0"  src="https://freight.cargo.site/w/1000/i/59f6d545a17961e41a12affc56ac29142a43c8b8acee0d928fa70a4bf83222b2/IMG_0517-Edit-copy.jpg" /&#62;
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&#60;img width="5548" height="4097" width_o="5548" height_o="4097" data-src="https://freight.cargo.site/t/original/i/66aebc5afa49118c30e90476630242f49e1ce608269c2d43d132517451578432/SignRender2b.jpg" data-mid="134765262" border="0"  src="https://freight.cargo.site/w/1000/i/66aebc5afa49118c30e90476630242f49e1ce608269c2d43d132517451578432/SignRender2b.jpg" /&#62;



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	<item>
		<title>Uptick</title>
				
		<link>https://joshuaduttweiler.com/Uptick</link>

		<pubDate>Wed, 27 Dec 2023 23:40:43 +0000</pubDate>

		<dc:creator>Joshua Duttweiler</dc:creator>

		<guid isPermaLink="true">https://joshuaduttweiler.com/Uptick</guid>

		<description>Uptick, v2Two-channel video installation, 2022-23
The Port of Corpus Christi is the largest port in the United States in total revenue tonnage and is the largest crude oil export gateway in the nation. The passage of these large ships are awe-inspiring in both the scale of the vessels, the length of their journey to this small seaside community, and the potential negative impact of its’ cargo. In Uptick, the repurposed stock ticker explores, using data, the disconnect between the immense petrochemical imports arriving daily, negative climate impact, and economic disparity in the region.







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	<item>
		<title>Lines Divide</title>
				
		<link>https://joshuaduttweiler.com/Lines-Divide</link>

		<pubDate>Fri, 16 Oct 2020 16:21:36 +0000</pubDate>

		<dc:creator>Joshua Duttweiler</dc:creator>

		<guid isPermaLink="true">https://joshuaduttweiler.com/Lines-Divide</guid>

		<description>Lines/DivideCuration and Exhibition Design
2019

Lines are defined as a single point that extends infinitely in both directions. However, too often, divisions threaten to break this continuous connection. The work in Lines/Divide reflect on the separations made concrete and celebrate the differences that bring us together.

 October 7 - November 30, 2019&#38;nbsp;
Boston East Gallery, Boston, MA&#38;nbsp;
Curated by Joshua Duttweiler. Artists include&#38;nbsp;James Barkley, Padmini Chandrasekaran, Amy Coon, Molly Haig, Kristen Mallia, Alice H. Kim, Vaish Kumar, and Mary Yang.



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&#60;img width="2500" height="3750" width_o="2500" height_o="3750" data-src="https://freight.cargo.site/t/original/i/c64691e16cdcd2db74cc0137cafc9c66918ae28f934bed48af36c5a62fccce5a/IMG_4206.jpg" data-mid="85804260" border="0"  src="https://freight.cargo.site/w/1000/i/c64691e16cdcd2db74cc0137cafc9c66918ae28f934bed48af36c5a62fccce5a/IMG_4206.jpg" /&#62;
&#60;img width="2500" height="3750" width_o="2500" height_o="3750" data-src="https://freight.cargo.site/t/original/i/9d1294971fe260651cfbe83677c25773e823d74690858dce25fd9e31471b329d/IMG_4189.jpg" data-mid="85804257" border="0"  src="https://freight.cargo.site/w/1000/i/9d1294971fe260651cfbe83677c25773e823d74690858dce25fd9e31471b329d/IMG_4189.jpg" /&#62;
&#60;img width="2500" height="1875" width_o="2500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/e7b7dea0bd5d72755fdb2402cae032213a50f63a079cb0bedfad99eb0541ef45/IMG_3042.jpg" data-mid="85804247" border="0"  src="https://freight.cargo.site/w/1000/i/e7b7dea0bd5d72755fdb2402cae032213a50f63a079cb0bedfad99eb0541ef45/IMG_3042.jpg" /&#62;

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	<item>
		<title>Lines Through</title>
				
		<link>https://joshuaduttweiler.com/Lines-Through</link>

		<pubDate>Tue, 29 Nov 2022 05:33:44 +0000</pubDate>

		<dc:creator>Joshua Duttweiler</dc:creator>

		<guid isPermaLink="true">https://joshuaduttweiler.com/Lines-Through</guid>

		<description>Lines ThroughPublication, Risograph2020-2021
Lines Through is a visual response to current socio-political issues in the United States. The artists and designers of the Radius Collective offer their thoughts and responses on identity, connection, and place. Structured by their previous collaboration, Lines/Divide, the artists used each others’ pieces as inspiration for this new body of work. The projects encompass a wide variety of media from animation to photography to installation revealing personal experiences, work process, and relevant research.Now more than ever, art and design is an important and powerful act of communication and community. Viewers of the website are encouraged to view the work of the following artists in any order, letting the connections between artists and ideas guide their path.
Curated by Joshua Duttweiler. Artists include James Barkley, Padmini Chandrasekaran, Amy Coon, Molly Haig, Kristen Mallia, and Vaish Kumar.


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&#60;img width="1250" height="833" width_o="1250" height_o="833" data-src="https://freight.cargo.site/t/original/i/ddeb8564cc90a472c89deceffcce83ea6fe9ef703d5e2f22c2c5fd5ee3d5b164/IMG_0385.jpeg" data-mid="160452695" border="0"  src="https://freight.cargo.site/w/1000/i/ddeb8564cc90a472c89deceffcce83ea6fe9ef703d5e2f22c2c5fd5ee3d5b164/IMG_0385.jpeg" /&#62;
&#60;img width="1250" height="833" width_o="1250" height_o="833" data-src="https://freight.cargo.site/t/original/i/8437b1033829a0a5ad06b3d5b56a6682f3e9d6fae0d9115aaa5dc67ed056293a/IMG_0342.jpeg" data-mid="160452694" border="0"  src="https://freight.cargo.site/w/1000/i/8437b1033829a0a5ad06b3d5b56a6682f3e9d6fae0d9115aaa5dc67ed056293a/IMG_0342.jpeg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/2e87e232eaeab5ee9d8223e52b9232e4bae76a47d47c837f50734c0d2b330894/IMG_0326.jpg" data-mid="160452754" border="0"  src="https://freight.cargo.site/w/1000/i/2e87e232eaeab5ee9d8223e52b9232e4bae76a47d47c837f50734c0d2b330894/IMG_0326.jpg" /&#62;
&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/2712400da4bf0a1072046b92146f1d9ab336d20d895357af2d9175f87e57f2fb/IMG_0325.jpg" data-mid="160452810" border="0"  src="https://freight.cargo.site/w/1000/i/2712400da4bf0a1072046b92146f1d9ab336d20d895357af2d9175f87e57f2fb/IMG_0325.jpg" /&#62;

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